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A Guide to Music Rights Management in Figure Skating

Doggy
76 日前

music lice...rights man...ethical co...

Overview

The Escalating Cost and Complexity of Music Licensing in Japan’s Premier Figure Skating

In Japan, top-tier skaters like Yuma Keyama find themselves paying approximately 120,000 yen—about 1,000 US dollars—per performance just to secure the necessary music rights. This mounting expense reflects a broader trend where licensing fees are skyrocketing due to the increasing complexity of music copyright laws. For example, after the 2014 revisions, songs with vocals and contemporary compositions—once easy to use—now often require detailed negotiations with multiple rights owners, including composers, performers, and record labels. These costs can add up quickly, especially as more skaters attempt to incorporate popular or original songs into their routines. Consequently, many competitions, small and large, face severe financial strains that threaten artistic expression and limit creative freedom. To effectively address this challenge, industry stakeholders should consider implementing centralized or collective licensing schemes—solutions that would dramatically cut costs and simplify procedures—all while supporting artistic innovation and diversity.

The Moral and Legal Essentials of Respecting Music Rights in Figure Skating

More crucial than ever is the principle of respecting the rights of music creators, which is both a moral obligation and a legal necessity. Experts like Professor Masaki Machida underscore that crediting composers and performers correctly is not merely about etiquette but represents a profound act of respect. For instance, when Yuzuru Hanyu performs to a composition by Yoko Ishibashi, ensuring her name appears prominently in program notes or broadcast credits demonstrates acknowledgment of her artistry and upholds ethical standards. Failure to do so has led to costly legal battles—such as the 2022 lawsuits against U.S. pairs for unauthorized use—highlighting the importance of adherence to proper licensing practices. Therefore, fostering a culture of transparency and reciprocal respect is essential; this involves not only fulfilling legal duties but also cultivating attitudes that honor the hard work and creativity of all involved in the music industry, ultimately enriching the sport’s integrity and long-term sustainability.

Innovative and Practical Approaches to Rights Management with Real-World Examples

Although existing international agreements, such as the ISU licensing framework, provide some guidance, their administration can be overly complex or inconsistent across different countries. To truly revolutionize rights management, industry insiders advocate for developing a dedicated national system—one that harnesses modern technology and emphasizes fairness. For example, some organizations now employ digital watermarking—embedded codes that automatically attribute songs to their creators whenever played or streamed—or create user-friendly online platforms where skaters, coaches, and organizers can rapidly request permissions or licenses. A notable case involves a small but ambitious skating club in Hokkaido that successfully negotiated a blanket license with a local rights organization, significantly reducing costs and enabling more diverse musical choices. Emphasizing respectful crediting practices—such as giving detailed attribution—also acts as an act of kindness, cultivating appreciation and trust. Embracing such approaches will not only streamline administration but also promote an evolving culture of mutual respect and artistic vibrancy, ultimately positioning figure skating as a sport that celebrates both performance excellence and fair rights management.


References

  • https://www.taisyaku.jp/about/right...
  • https://www.fd-sophia.jp/education/...
  • https://j-ba.or.jp/category/minpo/j...
  • https://www.chunichi.co.jp/article/...
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    Doggy

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